




This Saturday is a no-go for filming, I'm afraid, folks. The forecast is too grim to bother. Even if its not raining, we need DRY sand to keep continuity happy!
Phoenix Renata, who has served as our back-up makeup artist, and whose partner Chev designed our astronaut's make up and has been helping out on Last Flight's special effects, is in the news. Check it out here.
Spring is here! Yay!


Zane, Richy and I popped back to the Studio the other night and filmed dust. That is, we set up a black curtain, a red head and a camera and blew dust into the light while we filmed it (when I say “we” I mostly mean Zane – I just stood and watched!).
We got some wild footage and also managed to use up a whole half hour of tape, but the upshot is some cool dust effects that we will be able to blow through the landscapes of the movie – making it look a lot dustier and windswept than it actually was.
Meanwhile, scene 1, 3 and 5 are now mostly edited (in rough form). And parts of the other scenes are also complete.
Now if we could just get some sunny weather we could get out to Bethells and knock the bugger off!




Another great day of filming at Sunset Studios! Our filming now stands at 80% complete! WAHOO!!
Worst movie. EVER!
A (very rough) edit of scene 1 now exists - Yipee! It still contains storyboard placeholders, pics from google image search, and a kooky mish-mash of sound, but the important thing for me is that it works. The story is solid and believable. Not that I ever thought it wouldn't be of course - but still: Whew!
Back to the Studio, folks - SUNSET STUDIOS! Keep your diaries free for Sunday the 5th of July, and let's get this puppy shot! Details on the way...
In case you're wondering, we are still making this movie! After a big flurry of activity, Last Flight is in a holding pattern while we wait for people to become free and locations to become available! We are however, still firmly in the middle of production.
A lot of the difficult stuff is behind us fortunately – the awesome landscape shots and long hikes. But the meat of the story and the body of the scenes is still waiting to be done. This means some more filming at Bethells and our green screen work at Sunset Studios. I’m really looking forward to it!
The stuff we have so far is beautiful - and is informing the way I want to approach the rest of the film. I apologise if that means progress seems a bit slow at times, but the quality of the material we’ve achieved is so high, that it’s really important that we maintain that. I hope you understand and bear with me!

FYI, folks: Kiri Maxwell is taking over as producer while Sarah is away overseas. 

